Brussels-based baroque ensemble Les Abbagliati is passionate about exploring the 17th and 18th century repertoire. They perform both well-known works by composers such as Bach, Telemann and Couperin, as well as works by lesser-known composers such as Bononcini, Montéclair or d’Astorga, which Les Abbagliati are keen to bring into the spotlights.

The vocal-instrumental ensemble Revue Blanche was founded in 2010 by four young musicians from Brussels who share the same musical ideas. In a unique way Lore Binon (soprano), Anouk Sturtewagen (harp), Kris Hellemans (viola) and Caroline Peeters (flute) are bringing alive European musical heritage from different style periods.

Lute player Sofie Vanden Eynde is active in various artistic fields. Her activities reach from projects early music with tenor Thomas Hobbs, sopranos Lore Binon, Emma Kirkby, Lieselot De Wilde, Deborah Cachet amongst others, until resonant stories about a shared world in the projects under the name IMAGO MUNDI. In these productions she collaborates with non-Western artists and explores the borders between early and contemporary music and various artistic disciplines.

Trio Khaldei unites pianist Barbara Baltussen, violinist Pieter Jansen and cellist Francis Mourey. They have found each other in their passion for chamber music, and the unique sound of the piano trio in particular.

As one of the pioneers of historical performance practice in Flanders, Jos van Immerseel needs little introduction. Besides playing historical keyboard instruments, he is a researcher, collector, teacher and conductor. Music in its many facets is central to his work and life. Nowadays, Van Immerseel is back on stage more often as a soloist and chamber musician, mainly on instruments from his own collection.